Måleriet identifieringen:: 10057
Sist Kvällsmat 1470 Wood.172x164cm Museum Nacional d~Art de Catalunya Barcelona 1440-1482
Flemish
Hugo van der Goes Galleries
Måleriet identifieringen:: 30390
Sist Kvällsmat mk68 Temperamenten på trä Siena Opera del Duomo Museum 1255-1318
Italian Duccio di Buoninsegna
Locations
Måleriet identifieringen:: 30416
Sist Kvällsmat mk68 Fresco.width av mur Florens Konvention av Sant~Apollonia ltaly Italian
c1421-1457
Andrea del Castagno Location
Italian High Renaissance Painter and Inventor, 1452-1519
Måleriet identifieringen:: 30446
Sist Kvällsmat mk68 Temperamenten 13~9x29~10 Milan.Convent av Santiago Maria delle Skrappa Italian High Renaissance Painter and Inventor, 1452-1519
Måleriet identifieringen:: 33394
Sist Kvällsmat mk86 1480 Fresco.total bredd 812cm Florence.Convent av San Marco.Refectory Italian Early Renaissance Painter, 1449-1494
Måleriet identifieringen:: 33442
Sist Kvällsmat mk86 after1450 Temperamenten på trä 162x170cm Barcelona.Museu d~Art de Catalunya Spanish Early Renaissance Painter, C.1415-1492
Italian High Renaissance Painter and Inventor, 1452-1519
Måleriet identifieringen:: 38513
Last Supper mk137
1495-1498 oil and Tempera on stone 460x880cm Santa Maria della grace Milan Italian High Renaissance Painter and Inventor, 1452-1519
b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries
Måleriet identifieringen:: 53234
Last supper mk228
Oil on canvas
b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries
1626 - 1686) was a leading Russian graphic artist of the late 17th-century. Together with Fyodor Zubov and Fyodor Rozhnov, he is associated with the comprehensive reform of the Russian Orthodox Church undertaken by Patriarch Nikon.
We know almost nothing about the early years of Simon Ushakov. His birth date is deduced from his inscription on one of the icons: In the year 7166 painted this icon Simon Ushakov son, being 32 years of age.
At 22 he became a paid artist of the Silver Chamber, affiliated with the Armory Prikaz. The bright, fresh colours and exquisite, curving lines of his proto-baroque icons caught the eye of Patriarch Nikon, who introduced Simon to the tsar Alexei Mikhailovich. He became a great favourite with the royal family and was eventually (1664) assigned to the Kremlin Armoury, run by an educated boyar Bogdan Khitrovo.
Måleriet identifieringen:: 61241
Last Supper Last Supper 1685
1626 - 1686) was a leading Russian graphic artist of the late 17th-century. Together with Fyodor Zubov and Fyodor Rozhnov, he is associated with the comprehensive reform of the Russian Orthodox Church undertaken by Patriarch Nikon.
We know almost nothing about the early years of Simon Ushakov. His birth date is deduced from his inscription on one of the icons: In the year 7166 painted this icon Simon Ushakov son, being 32 years of age.
At 22 he became a paid artist of the Silver Chamber, affiliated with the Armory Prikaz. The bright, fresh colours and exquisite, curving lines of his proto-baroque icons caught the eye of Patriarch Nikon, who introduced Simon to the tsar Alexei Mikhailovich. He became a great favourite with the royal family and was eventually (1664) assigned to the Kremlin Armoury, run by an educated boyar Bogdan Khitrovo.
Spanish Mannerist Painter and Sculptor, ca.1488-1561
Måleriet identifieringen:: 62313
Last Supper 1588-1603 Oil on canvas Museo de Bellas Artes, Seville In addition to Italian influences, the impact of northern painters, such as Marten de Vos and Maerten van Heemskerck, on painters in Seville at the end of the 16th century was important. The resulting hybrid of Italian and Flemish elements became the dominant mode of expression until well into the seventeenth century and is first observable in the work of Alonso V?zquez, who worked in Seville from 1588 until his departure for Mexico in 1603. His Last Supper, painted for the Carthusians of Santa Maria de las Cuevas, is a pastiche of poses and motifs borrowed from prints by or after Heemskerck, de Vos and Cornelis Cort. In fact the stylistic correspondence to the paintings by these northern late Mannerists is close enough to suggest that V?zquez had been able to study their works, perhaps in the collections of the resident Flemish community Spanish Mannerist Painter and Sculptor, ca.1488-1561
(1523 - 30 January 1584) was a Dutch-born Flemish Renaissance painter.
Remi Ommejaghere and his three sons
Onze-Lieve-Vrouwekerk, Bruges, BelgiumPourbus was born in Gouda. He was known primarily for his religious and portrait painting and worked mainly in Bruges, where he had moved from Gouda by 1543. He died in Bruges. His son was the painter Frans Pourbus the Elder and his grandson was Frans Pourbus the younger
Måleriet identifieringen:: 85249
Last Supper Date 1548(1548)
Medium Oil on oak panel
Dimensions Height: 46.5 cm (18.3 in). Width: 63 cm (24.8 in).
cjr (1523 - 30 January 1584) was a Dutch-born Flemish Renaissance painter.
Remi Ommejaghere and his three sons
Onze-Lieve-Vrouwekerk, Bruges, BelgiumPourbus was born in Gouda. He was known primarily for his religious and portrait painting and worked mainly in Bruges, where he had moved from Gouda by 1543. He died in Bruges. His son was the painter Frans Pourbus the Elder and his grandson was Frans Pourbus the younger
(October 4, 1515 ?C January 25, 1586) was a German Renaissance artist, known for his woodcuts and paintings.
He was a son of Lucas Cranach the Elder who began his career as an apprentice in his father's workshop. Henceforth, his own reputation and fame grew. After his father's death, he assumed control over the workshop.
The style of their paintings can be so similar that there have been some difficulties in attribution of their works.
Måleriet identifieringen:: 94780
Last Supper Das Abendmahl 1565
cyf (October 4, 1515 ?C January 25, 1586) was a German Renaissance artist, known for his woodcuts and paintings.
He was a son of Lucas Cranach the Elder who began his career as an apprentice in his father's workshop. Henceforth, his own reputation and fame grew. After his father's death, he assumed control over the workshop.
The style of their paintings can be so similar that there have been some difficulties in attribution of their works.
Lucas Cranach the Younger (October 4, 1515 ?C January 25, 1586) was a German Renaissance artist, known for his woodcuts and paintings.
He was a son of Lucas Cranach the Elder who began his career as an apprentice in his father's workshop. Henceforth, his own reputation and fame grew. After his father's death, he assumed control over the workshop.
The style of their paintings can be so similar that there have been some difficulties in attribution of their works. Last Supper
